Voodoo hit store shelves on January 25th 2000, just a few weeks after the New Year celebrations to end them all. But the first great album of the new millennium was born in the 1990s, and its muggy grooves capture the sound of premillennial anxiety. The album is the product of perfectionism, obsession and paranoia. 1995's debut Brown Sugar had already strategically positioned D'Angelo-born Michael Eugene Archer and Virginia-raised to a Pentecostal preacher father-as the next Hendrix-like deity in black music, after Prince and maybe Lenny Kravitz. But since its release, D'Angelo had become distracted by weed and weightlifting, he'd been shaken by the deaths of Tupac Shakur and The Notorious B.I.G. And debilitated by sophomore pressure.
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In the interim he'd fathered two children, switched managers and jumped to a new record label. Though inspired by the birth of his children and trips back to Virginia, Voodoo's roots are in 1960s, '70s and '80s funk and soul; a nostalgic nod to the ideas and inventions of black music trailblazers powered by avant-garde hip-hop and jazz-influenced rhythms. D'Angleo's aim, he said, was to reclaim R&B. Acronis true image enterprise server 81945 download windows 10. He wanted to be like Sly Stone, George Clinton and Al Green. And most of all, he wanted to be like Jimi Hendrix. Where does a potently focused young man go to remake Electric Ladyland? New York's Electric Lady studios, of course: in the same rooms in which Hendrix and Stevie Wonder reinvented music decades earlier, and on the same equipment too.
In an era in which soul musicians were obsessing over all things synthetic, D'Angelo was looking to the warm sounds of the past. Electric Lady's Studio C became D'Angelo's brand new creative laboratory. The concept behind Voodoo was simple. Put together a brilliant ensemble of R&B musicians bent on grooving together. Record them live, in real-time, jamming face-to-face in an effort to capture their conviviality and chemistry.
For Voodoo's core rhythm trio, D'Angelo recruited his friend and colleague, The Roots' visionary drummer Ahmir '?uestlove' Thompson, plus Welsh journeyman Pino Palladino to hold down the bass. It was a combination that gelled immediately.
Voodoo was like crack for purists-this was Real Music, serious as a heart attack, deeply reverent and worshipful of the past. D'Angelo once said about the content of Voodoo: 'This album is a personal testimony about my life and my emotions. My life kinda changed overnight when Brown Sugar came out. It took me a while just to get used to that - the attention, the money, and everything that comes along with that. At times I felt like I wanted to run away from it.
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- D'Angelo - Voodoo iTunes Posted by Unknown at 3:12 PM. Email This BlogThis! Share to Twitter Share to Facebook Share to Pinterest. Labels: Album, D'Angelo, iTunes, R&B.
- D`angelo Voodoo Download Blogspot Rating: 9,1/10 3632 reviews. Rare D'Angelo Being a real. D'Angelo's Voodoo is a masterpiece. I've tried to download numerous versions but can only find it on youtube and various. Apr 12, 2015 Your Number 1 Spot For Anything r&b plus Soundtracksl. Britt's Soul Spot; Brit's Soul Spot; Sunday, April 12, 2015.
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There's those Dilla/Questlove drunk style rhythms, jazzy soulful chords, and D'Angelo's killer harmonies. Even at the most uptempo moments, everything feels intimate and close. Dlx50 service manual. It's sexy, cool, smokey, full of swagger and sweat. Voodoo feels like smoking a blunt in a sauna with your chains on.